Wasn’t sure I was going to do this, for 2016, but ended up compiling this list for a friend earlier this month. Below are links to some of the things I’ve been listening to in last 6-12 months. Some of this has been posted previously here, by me. Not a ton of “new” hiphop but some…
Of particular note Busta Rhymes and Q-Tip in The Abstract and The Dragon and The Return of The Abstract and the Dragon
Konnichiwa the hottest grime album of last 12 months, via Skepta
Anderson .Paak & The Free Nationals, giving a great NPR Music Tiny Desk Concert
The chopped and screwed remix of Solange by DJ Auditory
Acapella Gucci Mane also with a NPR Music Tiny Desk Concert
These Dominican rappers Whitest Taino Alive
A rinseFM tribute show to Prince
Gilberto Gil – MTV Unplugged 1994. Loved so much I bought on CD (for
like 1$) via Discogs
Some sick contemporary LA jazz (has done some work with Kendrick
Lamar). I have this on vinyl.
Finally, also been listening to some comedy at work occasionally.
Norm McDonald has a podcast/show and You Made it Weird. Including a great one with Gary Shandling, RIP.
The above quote is from (this) article by Dan Hancox entitled “The Outsiders: How the Met tries to banish grime from London’s clubs“, which looks at how a music genre and culture (Grime) which use to be defined in explicitly physical and urban terms has been, due to pressure by the London Metropolitan police and facilitated by the growth of MP3 recordings/blogs and live online streams of pirate radio, essentially banished from the capital’s clubs.
One of the main reasons we find, is a simple beaucratic tool-the form;
“Part of the reason grime exists on the internet now, and not in the real world, is the infamous police Risk Assessment Form 696. It’s no exaggeration to suggest that the period 2004-09 represents a systematic and deliberate attempt by the Metropolitan Police to remove music performed largely by young black men from the public sphere. Form 696 is a risk-assessment form used by the Met when trouble is expected at a gig or a club. At the potential cost to license holders of six months in jail or a £20,000 fine, it requests ridiculously specific information about performers and likely audience members.”
Via sunny d (here)