h/t Design Observer
“Because here’s the thing—architecture is always complicit, Trump or no Trump. It always has been. Architecture coordinates colossal expenditures (of material, of energy); it scripts forms of labor (in its construction, in its operation, and in the programs it houses); it is both a repository and generator of capital. Architecture participates, centrally, in defining modes of life, whether for the privileged or the dispossessed—designing and building the boundaries between the “haves” and the “have-nots,” sometimes subtly. Recognizing these complicities need not inspire either nihilism (“Well, what can I do about it?”) or defensiveness (“What am I supposed to do about it?”), but should rather be understood, quite simply, as the terrain we navigate. Naming these complicities and the injustices they perpetuate is a first step toward addressing them.”
In which Manuel Shvartzberg Carrió, Teddy Cruz and Fonna Forman, Anna Lui and Ananya Roy argue why “understanding Trump requires understanding Schumacher” and further, the importance of “understanding of the hegemonic articulations of infrastructure“, or how “managerialism is hegemonic because modern infrastructures operationalize, pre-empt, co-opt, channel, and distribute—that is, they manage power—by design“. Plus, praise for Keller Easterling’s ‘Extrastatecraft: The Power of Infrastructure Space’. A call for “Unwalling Citizenship” and a reading of the catalog/book of the exhibition ‘After Belonging‘. Also, reflections on #NotMyAIA, “ontologies of professional expertise“, normalization, the “infrastructure of assent“, “logics of white supremacy and patriarchy…“, the “politics of divestment“.
“In 1978 at the Paris Observatory, Jean-Pierre Luminet became the first to make a detailed computer calculation of a black hole’s appearance. He did so, he told me, by programming a (by then already obsolete) 1960s IBM 7040 computer, using punch cards…Because Luminet had no way to print out the resulting image or visualize it on a screen, he used the data to draw an image by hand, putting individual dots of India ink onto a photographic negative.”
Wine has come and gone as a thing in my life. Always tended towards basic reds (Tempranillos, Cabernet Sauvignons) or whites, like Pinto Grigio or Sauvignon Blancs.
Nothing too adventurous or unique.
Definitely been phases when I kept bottles of wine around, regularly. Though in recent years, been more into having a bar. Making cocktails or pouring a dram.
That being said, over last couple years, have discovered a couple of wines that I really dig. Includes;
Luberon, Malvasia, Picpul, Tavkeri, Txakoli
Late Update: Avinyó Petillant, a vi d’agulla
Some common themes, include wines that are buttery, chalky, dry, naturally fermented/sparkling, not too sweet, or unfiltered.
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