W. C. Heller & Company, The Shelving with Brains, 1922
Back in July, Shannon Mattern traced the genealogy of the American hardware store to the earlier, general store and explains How the hardware store orders things, neighborhoods, and material worlds.
“This is a vision of the hardware store as episteme. It holds (and organizes) the tools, values, and knowledges that bind a community and define a worldview. There’s a material and social sensibility embodied in the store, its stuff, and its service, and reflected in the diverse clientele. That might sound a bit lofty for a commercial establishment that sells sharp objects and toxic chemicals…Here, amidst the nuts and bolts, we cultivate the potential to order things, places, communities, politics, and values — we might even say, to build and repair worlds.“
Photo: Ed Reeve, courtesy of Adjaye Associates
I have previously seen less flattering angles and discussions regarding the concrete patterning and overall black, fortress-like, visage of this building.
However, this angle/view, makes me reconsider, that perhaps it is rather Excellent!
More decorative, faceted than I realized.
Stefano della Bella, A rider making his horse drink from a fountain, ca. 1646, from “Diverses figures et griffonnemens,” published by Israël Henriet. [Metropolitan Museum of Art]
“From the perspective of architecture history, this factor complicates both the design and experience of these structures; for it requires that the traditional cognitive scheme involving the object and the viewer be replaced by a more complex phenomenological triad consisting of architecture, water, and the body…From the washerwomen to bikini-clad tourists, we can see that fountains were scaled not only to buildings and cities but also to the movements and sensations of bodies. In this light it is worth remembering that the exclusion of bodily experience from the realm of architecture is a relatively recent phenomenon.
By Anatole Tchikine in Places Journal
via The Art Newspaper regarding the recently expanded Hood Museum of Art at Dartmouth College MARCH.
Dightman at the Salinas Rodeo in 1967.
Devere Helfrich/Dickinson Research Center/National Cowboy and Western Heritage Museum
“Yet Dightman has now been enshrined in virtually every hall of fame for pro bull riders, including the Texas Rodeo Cowboy Hall of Fame and ProRodeo Hall of Fame. Three miles from his ranch, outside of the Crockett rodeo arena that once refused him entry, a bronze bust of him sits atop a concrete pillar. And last year, the Prairie View Trail Riders Association celebrated its sixtieth anniversary. What began with Dightman and James Francies has grown to an organization of over five hundred riders participating annually. ”
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