Stefano della Bella, A rider making his horse drink from a fountain, ca. 1646, from “Diverses figures et griffonnemens,” published by Israël Henriet. [Metropolitan Museum of Art]
“From the perspective of architecture history, this factor complicates both the design and experience of these structures; for it requires that the traditional cognitive scheme involving the object and the viewer be replaced by a more complex phenomenological triad consisting of architecture, water, and the body…From the washerwomen to bikini-clad tourists, we can see that fountains were scaled not only to buildings and cities but also to the movements and sensations of bodies. In this light it is worth remembering that the exclusion of bodily experience from the realm of architecture is a relatively recent phenomenon.
By Anatole Tchikine in Places Journal
via The Art Newspaper regarding the recently expanded Hood Museum of Art at Dartmouth College MARCH.
Dightman at the Salinas Rodeo in 1967.
Devere Helfrich/Dickinson Research Center/National Cowboy and Western Heritage Museum
“Yet Dightman has now been enshrined in virtually every hall of fame for pro bull riders, including the Texas Rodeo Cowboy Hall of Fame and ProRodeo Hall of Fame. Three miles from his ranch, outside of the Crockett rodeo arena that once refused him entry, a bronze bust of him sits atop a concrete pillar. And last year, the Prairie View Trail Riders Association celebrated its sixtieth anniversary. What began with Dightman and James Francies has grown to an organization of over five hundred riders participating annually. ”
More via Texas Monthly
“Pertaining to Yachts and Yachting” (1922), by Charles Sheeler
From ‘American Modernism’ an exhibit of 156 paintings, sculptures and photographs at the Philadelphia Museum of Art.
“It is 11,500 years old. Mysterious Siberian wood carving discovered in a peat bog by gold miners in 1890 has now been radiocarbon dated to the end of the Ice Age“…
h/t The Ice Age
aerial photograph following 1906 earthquake and fire | George R. Lawrence / Library of Congress
Via NYT re: San Francisco’s Big Seismic Gamble