Don’t believe I have heard of this platform/publisher before. Then in last week to ten days, have come across it twice. In both my Facebook and Twitter feeds/networks.
First an old piece, from 2016, by
Walking had returned to me a greater set of possibilities. And why walk, if not to create a new set of possibilities? Following serendipity, I added new routes to the mental maps I had made from constant walking in that city from childhood to young adulthood, traced variations on the old pathways. Serendipity, a mentor once told me, is a secular way of speaking of grace; it’s unearned favor. Seen theologically, then, walking is an act of faith…Walking while black restricts the experience of walking, renders inaccessible the classic Romantic experience of walking alone. It forces me to be in constant relationship with others, unable to join the New York flaneurs I had read about and hoped to join…Walking as a black man has made me feel simultaneously more removed from the city, in my awareness that I am perceived as suspect, and more closely connected to it, in the full attentiveness demanded by my vigilance. It has made me walk more purposefully in the city, becoming part of its flow, rather than observing, standing apart.
As we consider the potential loss of plant, animal, and human life at the hands of climate change, we must also ponder what we stand to lose in culture—in stories yet to be told. Lost or devastated landscapes stand to radically alter the trajectory of our tales.
Or as @elisehunchuck shortened “What tales will go untold as we lose islands, coasts change, species go extinct, and forests wither?“
Dean Milton Curry at the University of Southern California
‘Design thinking’ is, for me, the instrumentalization of methods of design for profit. “Architectural thinking” is understanding that the role of the designer, within the context of architecture, always incorporates the public good no matter if you are you doing a private or public building. The notion of public good is embedded within the DNA of architecture period. That has to be and has to remain in the DNA of architecture and architecture schools.That’s what I call “architectural thinking”.
Over at e-flux, Douglas Spencer reflects on the exhibition California: Designing Freedom at the Design Museum, London, 2017.
California’s “tools of personal liberation” further the depoliticizing ends of neoliberalism, both in the conditions of temporality they impose, and in their tendency to atomize the social into an aggregate of hyper-connected individuals constituted, as such, by their investments in capital and its technological apparatus. Depoliticization, rather than some unfortunate and unforeseen outcome of an originally radical counterculture, is inherent to it.
“The Diablos are the Bay Area’s upscale version of Southern California’s autumn mini-hurricanes, the Santa Anas…The big picture, then, is the violent reorganisation of regional fire regimes across North America, and as pyrogeography changes, biogeography soon follows.”
via NYT re: the 5 year renovation by David Chipperfield Architects.