More at the Drone Center at Bard
Back in 2012 William Gibson sat down to chat with Ken Goldberg, craigslist Distinguished Professor of New Media, UC Berkeley.
I recently watched and Tweeted these quotes;
Also, love how he explains why his last three (at his time) novels “are science-fiction”?
They are set in “speculative novels of very recent past…they are…made out of the stuff of science fiction…picture’s of our world made out of the stuff of science fiction“…
Back in August, Business Insider published a fairly extensive interview with him.
Back in 2014 Diffusive Architectures explained The fallacy of the ‘urban age’ and why
“To properly see, understand, talk about, and strategise for urbanisation, we need new ways to describe and map these processes of concentration and extension, and the churning of use and habitation patterns. ..”
Plus, Courtney Humphries argued that By making “urban” synonymous with “city,” we miss the realities of where we live (ie: the peri-urban or suburban) and how our sprawling ways are changing the world. In other words,
“What’s very clear is that we need a language and a finer-grain differentiation of different types of urban life and urban ecosystems“
Over at e-flux, Marina Simakova examines (and identifies four hypotheses to explain) the recent and growing interest in Russian cosmism, as a subject of theoretical polemics and a conceptual frame for several major art projects.
“A few centuries after the Renaissance man and long before the scientistic rage for interdisciplinarity, cosmism imagined an artist-cum-researcher thinking beyond disciplines and formal restrictions, and motivated by the desire for the absolute intellectual and creative freedom that was available to everyone. Like Renaissance culture, cosmism was anthropocentric, but it was an anthropocentrism focused on the collective rational subject, one that had absorbed the lessons of Russian religious thought and the theories of the utopian socialists. Cosmism’s totality was also ensured by the fact that it dealt with a social ideal that embraced (and permeated) the entire universe. This ideal put a premium on the fraternalism and responsibility that ensured immortality, which, like salvation from disease, was one of the objectives in cultivating outer space…”
“We need new interventions that interrupt, outlaw, or regulate 1) the initial capture of behavioral surplus, 2) the use of behavioral surplus as free raw material, 3) excessive and exclusive concentrations of the new means of production, 4) the manufacture of prediction products, 5) the sale of prediction products, 6) the use of prediction products for third-order operations of modification, influence, and control, and 5) the monetization of the results of these operations.”
Via Shoshana Zuboff published over on FAZ.net
To wit –
“Bodies do not simply find themselves within the spatial technology embodied by the corridor; their very presence is the result of a system whose political degree can vary from almost innocuous to the most explicit forms of racism. Here lies the delicate balance between a methodology that first considers bodies for what they are, i.e. living material assemblages surrounded by other material assemblages (some of which we call architecture), only later to consider bodies for how they are normatively marked, to inscribe our thinking within the complexity of a reality with variable degrees of violence.”
Read he rest via the Avery Review
“To my mind, therefore, the integral accident, the automation of warfare, and the RMA are all part of the shift towards the second deterrence and the explosion of the information bomb…this situation has arisen because the sovereignty of the state is no longer accepted…Hence not only the crisis of geopolitics and geostrategy but also the shift towards the emergence and dominance of chronostrategy…The development and deployment of drones and Cruise missiles involves the continuing development of the vision machine. Research on Cruise missiles is intrinsically linked to the development of vision machines”
From Paulo Virilio in Conversation with John Armitage, wherein Virilio explains how THE KOSOVO WAR TOOK PLACE IN ORBITAL SPACE.