Also check out this conversation on “life, death, buddhism, damage, strength, forgiveness… and cyberspace (it’s from 1995) between barlow and bell hooks”
via @Jen Carlson
The form of the book is a mosaic of primary sources, an interstellar ethnographer’s notebook, ranging from matter-of-fact journal entries to fragments of alien myth. Writers as diverse as Zadie Smith and Algis Budrys have cited The Left Hand of Darkness as an influence, and Harold Bloom included it in The Western Canon.
via a John Wray, Paris Review interview
Back in 2015 Motherboard published “one of Le Guin’s political essays.” An excerpt/version of her Foreword for a new (at the time) collection of Murray Bookchin essays, The Next Revolution: Popular Assemblies and the Promise of Direct Democracy which provide “the theoretical underpinning for an egalitarian and directly democratic ecological society, with a practical approach for how to build it.”
For the New Yorker, biographer Julie Phillips explains
“Le Guin never stopped insisting on the beauty and subversive power of the imagination. Fantasy and speculation weren’t only about invention; they were about challenging the established order. “
Back in October, Places Journal published Belmont Freeman’s case against the architecture of higher education, which all too often abdicates “leadership in promoting artistic innovation as they pander to plutocratic donors.” Choosing instead a nostalgic “idealized version of the Ivy League“.
The next month, Joe Day explains, the history of contemporary architecture in Jakarta, in the utopian terms of the Pancasilas, the founding principles of modern Indonesia.
Which includes the below, as it’s last footnote;
It should be noted that this “Architectures of the Pancasilas” approach underserves more than few gifted Jakarta architects. Between the AMI and the post-’98 generations — that is, between those now circling 60 and those still under 40 — I would point to Anthony Liu and Ferry Ridwan, partners in the prolific Studio TonTon (designers of the widely published Kosenda Hotel), to Ahmad Djuhara (the outspoken president of the Indonesian Institute of Architects) and his partner Wendy Djuhara, and to Stanley Wangsadihardja and Susi Gunawan, both educators as well as designers. It is in this group that Jakarta’s specific rapport with Japanese contemporary architecture is most profound.
“That’s some rock…that’s a beauty“
Man that looks like an amazing garden…
h/t Alexandra Lange