Neue Nationalgalerie in 1968

Bacardi Limited, via Business Wire

via NYT re: the 5 year renovation by David Chipperfield Architects.

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re: a truly Promethean feminism

The changes associated with the re-imagining of social reproduction, for example, are not seen as an endpoint in and of themselves, but are presented as one crucial field of operations in a series of other radical alterations in lived experience. In this truly Promethean feminism, love, work, leisure, the family, science, art, and sexual reproduction are all equally mutable, contestable, and available for species-wide re-engineering. The home can be reconceived of as a site of Promethean potentiality rather than as an example of stubbornly embedded material hegemony; that is to say, it is a space that can be mutated to facilitate a Promethean politics rather than a site of risk aversion inherently obstructive to the development of the solidarities that such a politics demands.

via e-flux

Issue 21: of the Avery Review

Because here’s the thing—architecture is always complicit, Trump or no Trump. It always has been. Architecture coordinates colossal expenditures (of material, of energy); it scripts forms of labor (in its construction, in its operation, and in the programs it houses); it is both a repository and generator of capital. Architecture participates, centrally, in defining modes of life, whether for the privileged or the dispossessed—designing and building the boundaries between the “haves” and the “have-nots,” sometimes subtly. Recognizing these complicities need not inspire either nihilism (“Well, what can I do about it?”) or defensiveness (“What am I supposed to do about it?”), but should rather be understood, quite simply, as the terrain we navigate. Naming these complicities and the injustices they perpetuate is a first step toward addressing them.

In which Manuel Shvartzberg CarrióTeddy Cruz and Fonna Forman, Anna Lui and Ananya Roy argue why “understanding Trump requires understanding Schumacher” and further, the importance of “understanding of the hegemonic articulations of infrastructure“, or how “managerialism is hegemonic because modern infrastructures operationalize, pre-empt, co-opt, channel, and distribute—that is, they manage power—by design“. Plus, praise for Keller Easterling’s ‘Extrastatecraft: The Power of Infrastructure Space’.  A call for “Unwalling Citizenship” and a reading of the catalog/book of the exhibition ‘After Belonging‘. Also, reflections on #NotMyAIA, “ontologies of professional expertise“, normalization, the “infrastructure of assent“, “logics of white supremacy and patriarchy…“, the “politics of divestment“.

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Jacob Lawrence, The Migration of the Negro, panel no. 15, 1940–41. © The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society [ARS], New York.