this whole sound world of “now,”

I love time stretching because it sounds digital, like immersing yourself in the thing that is, as opposed to trying to create something that sounds like a classic track through artifice. I like the idea that there is this whole sound world of “now,” and it’s like the detritus and debris of the modern age that’s kind of ugly and bizarre, but you can immerse in that as much as you can immerse yourself in all analog choices.

Ital interviewed over at Tiny Mix Tapes here


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